As digital media rises in the world of art, we see many artists engaging in mixed media. The line between traditional and interactive storytelling is beginning to blur as artists continue to incorporate 3D, 2D, audio, and animatic elements into their art. This movement has been adopted by novice and professional artists, alike. Although Anomaly and RWBY use 3D animation in Poser, they look as if they have been styled in 2D. Both Anomaly and RWBY use 3D modeling and paint over with a drawing program to get a mixed-media effect. Many artists whom use Poser to create amazing 3D figures later touch them up for a more photorealistic look. Peugeot Hybrid4’s The Hybrid Graphic Novel is a fantastic example of how a car company has taken the speed of their car and interpreted it into a motion comic with 3D elements. Car companies realize the significance of mixed digital media and its emergence into pop culture. Visuals draw viewers in and has become a prominent means of reaching audiences because of how engaging it is.
LOC.NES – The Quiet in the Chaos EP (MotionArtist & Ableton Live 9)
A plethora of examples also stem from MotionArtist. The program is versatile enough that users can import visual and audio files to give their motion comics a more interactive feel. Glenn Bledsoe, creator of Crazy Fly Comics, creates the visuals for his motion comics in Manga Studio and then imports audio and text to create amazing videos. To read more about Glenn’s experience with MotionArtist and Manga Studio, click here.
Banjo A Ghost Story Crazy Fly Comics
“MotionArtist opens the door for the uninhibited expression of artists’ imaginations. In every step of developing MotionArtist, we have evoked powerful animation capabilities that professionals need to push the boundaries of the media, while at the same time streamlining the steps that make media production time-consuming for grassroots artists,” says Jordan Bentley, Product Manager for MotionArtist. “MotionArtist users hold the key to evolving this media, because the only restriction to their vision is what they can imagine. This will become the driving doctrine in the coming evolution of MotionArtist and the communities it cultivates.”
Charlie’s Abduction by from Filippo onez Vanzo
Charlie’s Abduction from Filippo onez Vanzo on Vimeo. In this video you can see how Filippo uses some drawings he has created of Charlie, a background of space, and a variety of music and voice recordings to bring the animation to life.
In the Echo Callaway, the artists have given their viewers the option of speed. There is a “Beginning,” “Previous,” and “Next” options at the bottom of the screen and you click as you go. Some of the strips are in color while some are black and white.
ANOMALY uses a pipeline of 3D modeling, digital painting over, augmented reality, and game-like animation. Anomaly’s creator, Brian Haberlin, a long time staple in the comic industry and avid proponent of evolving mixed-media, had this to say in this Comic Book Resources blog.
“I’m setting up my characters, costumes, environment. I’m thinking of 3D as my rough pencils. I’ll strip out all the color, I’ll keep some of the shading information, I’ll really do super high contrast, almost making them inks, then I’ll draw over them. The problem people have with straight 3D in print is, it’s hard to make it look alive. 3D is great when it moves, but when it’s a still, you have to step on it with the human hand as much as possible.”
Have you created any digital mixed media lately? Share them with us on our Facebook and Twitter pages! Check out our Pinterest page and feel free to send any pins of your art our way. In the meantime, check out these 4 Amazingly Impressive HTML5 Web Comics from MakeUseOf.com